Handmade in NSW Australia

About the Artist

Garry Scruton

Inspiration for pet sculptures

“In a conversation with a colleague, he suggested I make a rocking horse. This was a concept I was unfamiliar with but went in hell bent for leather. At the same time, my partner and I decided we would like a “pup” around the house. As it turned out, the local barmaid was keen to sell her Blue Heeler pups, so we arranged to meet at her house the next morning.

There were several pups to choose from, but I asked with tongue in cheek: why one of them was walking around with a coffee jar stuck on its head. The pup was struggling to breathe and in a real bother. It was obvious the pup had been inquisitive and managed to get itself stuck in the jar. With some twisting and manipulation, we released the pup from the jar and had no choice but to make that pup our own.

 “Murphy” as she is named, then became the model of my next “keep busy” campaign. From there, I progressed to a kangaroo and decided to do an emu to complete the Coat of Arms.”

Murphy

The creative process from idea to finished piece

“The first port of call with a design is to collect images from various angles showing the anatomical structure of the pet, then confirm the relative height and width. The size and detail of each pet will determine how many laminations are required. Currently, I am making a full-size koala. 

Once I established the overall size and proportion, I laminated 13 layers of 12mm plywood together for each half of the pet. I make the pets in halves which enables me to generate a cavity in the center to make them lighter and to help reduce stress caused by temperature change. The pets can be roughed out while in two pieces. 

That also makes access to various parts like arm pits easier. When the two halves are eventually joined and balanced, the carving continues until something resembling a pet evolves.”

Learn more about Garry and his timber pets in the Focus Magazine interview below!

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